Crackpot by Jeremy Sigler (Hardcover)
“These really change my definition of poetry. A little bit. If it was all sound-more or less, yet you walked away from that limitation at some point-maybe the end. The end just stands there sorta. You know what I mean by sound is rhyme. Yeah, kind of rhyme. And then there’s some sentiment. These poems are not so much sexy but full of love I think. In fact, that might be what the rhyming’s all about. The safety of love-perhaps. Whatever it is driving this it’s more than an idea and it’s not messy at all, or smug. It’s some new definition of poetry. It doesn’t rhyme with family but it’s about that long and that complete. And open, finally. I think Gertrude Stein. But not too much. You’ll see what if you read this book.” -Eileen Myles
“These really change my definition of poetry. A little bit. If it was all sound-more or less, yet you walked away from that limitation at some point-maybe the end. The end just stands there sorta. You know what I mean by sound is rhyme. Yeah, kind of rhyme. And then there’s some sentiment. These poems are not so much sexy but full of love I think. In fact, that might be what the rhyming’s all about. The safety of love-perhaps. Whatever it is driving this it’s more than an idea and it’s not messy at all, or smug. It’s some new definition of poetry. It doesn’t rhyme with family but it’s about that long and that complete. And open, finally. I think Gertrude Stein. But not too much. You’ll see what if you read this book.” -Eileen Myles
“These really change my definition of poetry. A little bit. If it was all sound-more or less, yet you walked away from that limitation at some point-maybe the end. The end just stands there sorta. You know what I mean by sound is rhyme. Yeah, kind of rhyme. And then there’s some sentiment. These poems are not so much sexy but full of love I think. In fact, that might be what the rhyming’s all about. The safety of love-perhaps. Whatever it is driving this it’s more than an idea and it’s not messy at all, or smug. It’s some new definition of poetry. It doesn’t rhyme with family but it’s about that long and that complete. And open, finally. I think Gertrude Stein. But not too much. You’ll see what if you read this book.” -Eileen Myles
About the Author
Jeremy Sigler was born in 1968 in Baltimore, Maryland. He studied at the University of Pennsylvania and UCLA. He is the Associate Editor of Parkett and a critic in Yale University’s sculpture department. In 2006, he was awarded a Lannan Foundation residency in Marfa, Texas. He lives with his wife and daughter in Brooklyn, New York.